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When the storyteller at the helm of a project knows what he wants to leave the audience with, the storytelling becomes that much more compelling. – Photo credit: Īs far as stories go, Badlapur is neither new nor innovative, but it is a strong film because of the focused direction. Yami Gautam in a scene from film 'Badlapur'. Perhaps, more importantly, it makes one wonder… what did revenge achieve? In the end, what did Raghu get? Laik got his freedom (take it whichever way you may), Jhimli got her keeper, Inspector saab is enjoying his retirement, but what of Raghu…?Īs Jhilmi leaves Raghu with the same question the audience can’t help but ask, Sriram Raghavan pans out of Badlapur, and maybe, just maybe, Raghu’s badlay ki aag as well. Without resorting to spoilers, the film reaches its logical anjaam a decade-and-a-half after the original events, but it leaves one with an unsettling feeling. This final twist is compounded with Kanchan (Radhika Apte) and Harman as sitting ducks for Raghu’s inteqam ki aag. With twists and turns abound leading to Jhimli (Huma Qureshi), Joshi (Ashwini Kalsekar), and Liak’s Ammi-ji (Pratima Kazmi), the plot finally picks up fifteen years later with Shobha (Divya Dutta) entering Raghu’s life as a NGO worker trying to secure Liak’s release on humane grounds. Seeing Liak escaping his confinement twice becomes repetitive, but I suppose that is exactly the point, as jail is no walk in the park. Liak is arrested and sentenced to twenty years for the murders, which incidentally also puts our plot on pause. No sooner has the dust settled around Misha and Robin’s death that Raghu is out for blood. – Photo credit: bollywooddhamaka.inĪfter having given us thirty minutes of intense action, solid movement, we come to point where the narrative just refuses to pick up. Varun Dhawan in a scene from film 'Badlapur'. This is a beautifully shot sequence but explosive beginnings require an equally, if not more, dhamakadaar mid-section and conclusion.
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Their CRV taken over by hoodlums, Laik (Nawazuddin Siddique) and Harman (Vinay Pathak), leads to a one of the best chase sequences this side of Hollywood(!), and a bitter and painful farewell to Raghu’s picture-perfect family. Alas fate, or, should I say, kismet, have something far sinister in store. Misha (Yami Gautam) and Robin are making their way back home before Daddy, Raghav aka Raghu (Varun Dhawan), gets home. With this explosive start, it is hard to think Badlapur would disappoint, and it does not, but it does leave a feeling that something is amiss.Ī story of love, revenge, and anger, Badlapur begins with a bank robbery gone horribly wrong. A visual we encounter everyday, a scene etched in our minds. Road) one believes-right from the outset-that this is indeed real. The beginning is indeed not to be missed, not because it gives away the plot or leads to any profound appreciation of Badlapur, but rather because it is steeped in the very authenticity I mentioned above.įrom the thalaywala selling his wares to the haphazard parking on Main Street (M.G.
Plot of badlapur full#
Dark but not quite dastardly, twisted but certainly not traumatizing, this revenge saga grips you for a full two-hour ride and not just with an “Ab kya hoga?”, but instead with an “Aisa kyun?”. Be it Bombay Talkies, Lunch Box, or Ugly, cinematic authenticity is up for grabs and quickly being sought after by young filmmakers, and, ever so surprisingly, by young actors too!īadlapur is an excellent addition to this growing kitty of films. This turn to realism, perhaps, even hyperrealism, has made inroads into Bollywood in recent years. We hope our daily experiences are reflected in the films we watch without ever resorting to escapism or parody, all the while praying that if nothing else our filmmakers won't question our intelligence. It's the one thing cinema-goers crave – detailed and sympathetic portrayals that don't veer towards the simplistic.